Cal Chandler (
americas_son) wrote2011-03-02 05:29 pm
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It's been an odd couple of days. Cal has kept his focus mainly on Tina, and hopefully that's helped keep the weirdness on his end at a minimum.
When she's ready to go home, though, he promises with a glance at Sherlock to come back once he's dropped her off. With any luck, Tony won't ask too many questions until then.
When she's ready to go home, though, he promises with a glance at Sherlock to come back once he's dropped her off. With any luck, Tony won't ask too many questions until then.
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Luckily for their newfound equilibrium, he only needs one hand to open the door.
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It's easier than using his free hand.
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When he does let go, to pick up his violin case, Sherlock has a wholly unexpected urge to lean across the space between them and kiss Cal on the cheek.
He doesn't. He doesn't even start to. That is not a volume that seems likely to come off the shelf anytime soon.
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. . . god, he must really be tired.
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Sherlock sets the case on the long table, flips it open, extracts the instrument, and hesitates over a choice of tune.
Then, entirely aware of the reference, he begins playing one of his own compositions. He's never liked them enough to inflict them on anyone but Jarvis. Perhaps Cal won't know the difference, anyway.
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Whatever that mood might be.
He picks a couch and stretches out on it, but doesn't close his eyes just yet.
He watches Sherlock instead.
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With so little thought to spare, he looks very... unguarded.
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(Cal doesn't mind. He usually keeps his guard up, too. It's safer. It doesn't always work, but it's safer when it does.)
It makes him look . . . something. Cal watches him, absorbed, trying to figure it out.
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Usually he is paying attention, analyzing everything. Usually he cannot stand to miss a second's worth of the world as it goes by. Usually, even playing the violin with his eyes closed, you would get the sense that he was watching you, and you'd be right.
Now, when he opens his eyes and looks at Cal during a slow section, he is genuinely surprised to find Cal looking back.
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He's too busy laughing. It's a soft, affectionate sound, one he doesn't make very often.
Tina is probably the last person to have heard it.
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Sherlock laughs, too, letting the note trail off.
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Is that what that was? Looking like he was somewhere else? Sherlock never looks like he's anywhere except right where he is.
Almost. That's almost what it was.
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He does not look like he expects Cal to believe it.
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"Bullshit."
Sherlock was right about that.
"You don't - usually look like that when you're playing."
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Okay, it's not the most brilliant question Cal's ever asked, but he's fine with that right now.
(He looked -
- no, that can't be right, either.)
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Even if he had been doing less listening and more looking.
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"I'm glad."
Well. Now they are both equally inane. That's something.
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Smiling, he closes his eyes again and picks up—after a moment's thought—where he left off.
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(He looks . . .
. . . whatever.)
Cal shifts on the couch, turning onto his side and resting his head on his arm. It's more comfortable to watch that way.
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It's a considerable improvement on how he looked when he first came downstairs.
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Cal approves.
He still doesn't fall asleep, though after a while it becomes a bit more of a struggle to stay awake.
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This time, when he sees Cal looking at him, he just smiles.
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